I just got a sheet the other day that said I had played on over 6000 recordings over 50 years. I like all of the Jaws pictures, except when the shark got up on deck of the boat and started eating people! George has been interviewed innumerable times by many different journals and magazines. How am I going to survive in this industry with all of the electronics taking over the field? That¹s where much of this came from. I just couldn't believe that after all these years; I was finally going to meet Robert Isele. Roberts also was … Well, the Marines informed me that Robert Isele lived around Penn State somewhere. You have to have a great sound. What are your thoughts about the ³bigger is better² argument? Ultimately, I got with Kenton and Krupa. So, after I finished the clinic at Penn State with the kids, Jim Erdman said, George, get your horn, get in the car. Starting from: £29.99 Add to cart If I hadn¹t been able to do that, I could not have played the F pedal tone with Henry Mancini, when I first went to LA. Daaaahhhh, daaaahhhh, you know. I've got to have a trombone! You can just scream - Mancini said, that¹s what I want! His understudy, Jim Erdman, overheard this conversation and called Robert Isele on the phone and handed me the phone. At the same time he as devoted his extra time to clinics, concerts and soloing with symphonic orchestras and trombone choirs across the country. I said, yeah, when you play a concert with the Philharmonic which horn do you play? Not a clam. That he recognized how closely the average person could identify with his sound? I started playing trombone when I was twelve. I¹m making bass trombones and I¹d love to have you come out and look at them. At this point, several of George¹s many friends and fans in Coronado recognized him and stopped by to say hello. What¹s this all about? I had to be the absolute epitome of pitch, to be the foundation for the orchestra and to flow with the shift in lead players. I have just modified one external link on George Roberts (trombonist). Absolutely! Absolutely! When I went down front, it was always "dah, dahdah, daaahhh, dahda" from some beautiful ballad. George Roberts died on September 28, 2014, at the age of 86 in Fallbrook, CA, from pneumonia. I don¹t start off by blowing real loud. 10:29. Of course, I played the violent shark scenes, too, but those soft long tones, early on the movie were the most dramatic. What advice do you have for aspiring your trombonists who want to break into the business? Kenton called me while I was in Reno. I got about halfway up the alley and it was getting dark and spooky, so I thought that maybe I would put off this running away idea until the next morning. Not really bass trombone players. We have more of a choice than one or two horns. Bob Fitzpatrick and Mel Burne were the two friends who got me into that band. There¹s only 5% of this business that¹s stark terror. That's my feeling about long tones and the importance of a musical, song-like approach to playing the bass trombone. I played the Herrick for a long time, then went with Conn for awhile. To play for two straight hours, playing every tune is not that easy. The rest of the players would say, that little so-and-so! Lighter, singingŠthat type of a thing. Anyway, I ended up playing clarinet in the school band for two years. A lot of the playing on a single trigger horn is physical. Well, John Williams was the piano player on that album. If you play an Eb pedal tone like velvet, they¹ll eat you alive! Anyway, I had always thought Lee was an Engineer because he was always sitting at the controls, playing with knobs. A friend of mine, a bass player (Don Simpson) from Des Moines said, George, the trombone player from Krupa's band is leaving. 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