Fontana combined sculpture, fluorescent paint, and black lights for his Ambiente spaziale a luce nera (Spatial Ambience in Black Light; 1948–49), to be viewed in a darkened room. It is now in the Royal Museum of Fine Arts, Antwerp. https://www.wikiart.org/en/lucio-fontana/concept-spatial-1968 Open in app; Facebook; Tweet; Pinterest; Reddit; Mail; Embed; Permalink ; Concetto spaziale ‘Nature’ door Lucio Fontana, 1959-60. Fontana visited New York in 1961 for a show of his work at the Martha Jackson Gallery; he also designed sets and costumes for La Scala, Milan, in 1966. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). He was a pioneer of things we take for granted: installation and new technologies. Read More About: Anne Doran; Gagosian; Lucio Fontana; Most-Read Stories Textile Art: From Ancient Tapestries to Modern Politics. Lucio Fontana Concetto spaziale (Spatial Concept) Vase, 1953 Terracotta, hight 50 x 28 cm Collection of A. Minola, Turin . Die Lucio Fontana gewidmete Abteilung besteht aus dem Ensemble zweier Kerne, die separat in das Diözesanmuseum aufgenommen wurden und absichtlich gesammelt und als Beweis für die außergewöhnliche skulpturale Tätigkeit des Künstlers in Mailand und auf dem Gebiet der Sakralkunst ausgestellt wurden. The top floor of the museum is devoted entirely to Lucio Fontana. Lucio Fontana, Concetto Spaziale, Attese (Spatial Concept, Waiting), 1960.All images courtesy: Provincia di Reggio Calabria-Assessorato Politiche e Pianificazione Culturale-Beni Culturali-Difesa della Legalità Fontana 1954’ (lower right) steel 23 3/8 x 39 3/8in. As the father of the spatialism concept, Fontana was at the helm of important developments in the modern art movement. This record is a work in progress. The perforations of the canvas takes it from two- to three-dimensional, or as Fontana … Art critic Guido Ballo commented, “The gallery was transformed… [the spectator] did not contemplate a detached form before his eyes, he entered into the pictorial environment.” The artwork encouraged the viewer to become a participant in the installation, rather than just an observer, eliminating the contrast between the artwork and the space surrounding it. Fontana achieved this in his piece Spatial environment, arguably one of the first examples of installation art. Lucio Fontana is known as the founder of spatialism and for his association with arte povera. In this manifesto, they wrote: “The idea of synthesis is grounded in the concept that certain scientific and philosophical developments have transformed the human psyche to such an extent that traditional ‘static’ art forms and the differentiation of artistic disciplines have become obsolete. Februar 1899 in Rosario, Argentinien; † 7. Save my name, email, and website in this browser for the next time I comment. 1 Enrico Crispolti, the author of the catalogue raisonné of Fontana’s work dates this canvas to 1960. Spatial Concept, Waiting is one of a series of works Fontana made in Milan between 1958 and 1968. By visiting our website or transacting with us, you agree to this. The inspiration, Fontana explained in an interview of the same year, had supposedly come from a commission to illustrate the Bible, but instead of ‘visualising old things’, Fontana came up with these new spatial concepts (P. Gottschaller, Lucio Fontana: The Artist’s Materials, Los Angeles, 2012, p. 107). For this piece, exhibited in 1948, Fontana created papier-mâche shapes and suspended them from the ceiling of a darkened room. He moved to Italy after his parents separated in 1905, and through his schooling, was exposed to the ideals of the futurist movement and new ways of creating art. LUCIO-FONTANA-Spatial-Environment-in-Red-Light-1967-.jpg ... From 1949 on he started the so-called Spatial Concept or slash series, consisting in holes or slashes on the surface of monochrome paintings, drawing a sign of what he named "an art for the Space Age". Lucio Fontana, der als Begründer des Spatialismus anerkannt ist, war ein produktiver Künstler, der von dem Wunsch getrieben war, die Beziehung zwischen Oberfläche und Dimensionalität hervorzuheben und zu erforschen. Lucio Fontana (19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor and theorist. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. PUBLICATIONS “Lucio Fontana. In the punctured and slashed paintings of the 1950s and 1960s, of which the NGV picture is a prime example, the desire to connect art with real space is conveyed with extraordinary economy. ... Concetto spaziale (Spatial Concept) (1950) One of Fontana's first cycles of works, the buchi (holes) series features the opening of the canvas surface to expose the space behind it. Available for sale from Gilden's Art Gallery, Lucio Fontana, Spacial Concept | Concetto Spaziale (1965), Original Hand Signed, Numbered and Dated Screenpri… Available for sale from Gilden's Art Gallery, Lucio Fontana, Spacial Concept | Concetto Spaziale (1965), Original Hand Signed, Numbered and Dated Screenpri… His family moved to Italy in 1905, but he returned to Argentina in 1922, to help in his father’s sculpture studio. 18.11.20 - 20.02.21 Galerie Karsten Greve Cologne. All images courtesy: Provincia di Reggio Calabria-Assessorato Politiche e Pianificazione Culturale-Beni Culturali-Difesa della Legalità . Spatial Concept 'Waiting', Fontana, Lucio, 1960, Canvas. Lucio Fontana was born in Argentina in 1899, to an Argentinian mother and an Italian father. In 1949, Fontana embarked on his Spatial Concept series, what he would later call, “art for the Space Age.” He began with the buchi (holes), using a knife to stab the surface of a canvas. Covered in fluorescent paint, the amoeba-like forms were lit by ultraviolet lamps, creating an eerie atmosphere to the installation. This iconoclastic gesture destroyed painting as a receptacle of illusions and left viewers contemplating a real cut, which Fontana described as “the beginning of a sculpture in space.”, By slashing the center of his canvases, Fontana allowed three–dimensional space to intrude into an otherwise two–dimensional surface. Fontana surprised everyone with the calculated gestures of his spatial, well-ordered abstract art. He is mostly known as the founder of Spatialism. He served as a second lieutenant in WWI, discharged with a silver medal after sustaining an arm injury. For access to motion picture film stills please contact the Film Study Center. Artwork page for ‘Spatial Concept’, Lucio Fontana, 1949–50 Fontana began to make holes (or buchi) through his canvases in 1949-50. The series of works by Lucio Fontana titled Spatial concept, different as they are from both futurism and arte povera, belong within this lineage. sale, Sotheby's London, 29 June 1994, lot 27. This article about a twentieth-century painting is a stub. Spatial Concept: Waiting is also an unpainted canvas, which further demonstrates the stark relationship between the raw surface and the primal nature of the slashing gesture. Lucio Fontana, Spatial Concept, New York 10 (Concetto Spaziale, New York 10), 1962 (© 2019 Fondazione Lucio Fontana/Artists Rights Society (ARS), New York/SIAE, Rome) The Castagno Miraglia is a monumental chestnut tree planted more than three centuries ago by Benedictine monks in the Apennine mountains of central Italy. Jun 3, 2015 - Lucio Fontana Spatial Concept 1949–50. He transforms the canvas into a relief and, in the process, the colour becomes a spatial element. Spatial Concept, Waiting, 1967. That project has concluded, and works are now being identified by MoMA staff. At the Met Breuer, a detail of Lucio Fontana’s “Spatial Concept, Expectation,” from 1967. In the first half of the 1960s, the Argentine–Italian artist Lucio Fontana created Spatial concept (fig. After he returned home he resumed his studies, becoming a master builder. In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. Concetto Spaziale, la Fine di Dio, 1963, oil on canvas, Fondazione Lucio Fontana, courtesy Gagosian Gallery, photography by Robert McKeever. He quickly became a name on the Italian art scene, particularly after his appointment as the apprentice of sculptor Adolf Wildt. When WWII came, Fontana returned to Argentina, becoming a teacher and founding the Altamira cultural center.Â. Spatial concept Lucio Fontana 1952. We use our own and third-party cookies to personalize your experience and the promotions you see. As part of the Walker's 75th anniversary we are releasing a variety of clips from the Walker's archives. Painted clay - Fondazione Lucio Fontana, Milan Artwork Images. PUBLICATIONS “Lucio Fontana. Fontana’s innovative theories prefigured later developments in environmental art, … This laid the foundation for his sculpture artworks, which he produced at his Argentinian studio. 1950. One of his most celebrated works Spatial Concept: Waiting consists of a single cut on a warm, brown-hued canvas. Reasoned catalog of works on paper “, by Luca Massimo Barbero, Skira, 2013, p. 982 Authentication of the Lucio Fontana Archive on photography. Required fields are marked *. Spatial Concept 'Waiting', Fontana, Lucio, 1960, Canvas. Lucio Fontana Spatial Concept (Concetto spaziale) 1957 On view; MoMA, Floor 4, 406 The David Geffen Galleries; The strongest visual device in Spatial Concept is a wide, irregular oval of rough holes, their broken rims poking outward as if some force in the hidden darkness behind the picture plane were struggling to break through. Spatial concept Lucio Fontana 1952. The works in Fontana’s Spatial Concepts series—the first of which dates from 1949—have a physical concreteness that is in tune with the anti-idealist mood prevalent in Europe after World War II. Concetto Spaziale A. | Tate Images. Galleria Civica di Arte Moderna e Contemporanea Torino Torino, Italy. From 1961, he began using metal as the background of his work, still using his signature slashing technique. Our site uses technology that is not supported by your browser, so it may not work correctly. File:Spatial Concept 'Waiting', cut canvas by Lucio Fontana, Tate Modern.JPG From Wikimedia Commons, the free media repository Jump to navigation Jump to search (Although Spatial Concept was created in 1956, Fontana retrospectively dated this work to 1952, inscribing the year on both the front and back of the canvas) Oil and glitter on canvas . 32 notes Feb 26th, 2014. Photo: Christopher Clem Franken. By visiting our website or transacting with us, you agree to this. The Fontana Hall was designed as an environmental immersion work. References. In 1946, Fontana, alongside a group of students and artists, published the Manifesto Blanco, which discussed the origins of spatialism. He devised the generic title Concetto spaziale ('spatial concept') for these works and used it for almost all of his later paintings. See E. Crispolti, Fontana: Catalogo generale, vol. Lucio Fontana, der als Begründer des Spatialismus anerkannt ist, war ein produktiver Künstler, der von dem Wunsch getrieben war, die Beziehung zwischen Oberfläche und Dimensionalität hervorzuheben und zu erforschen. Fondazione Lucio Fontana, Milan. While these works immediately conjure acts of violence and iconoclasm, Fontana claimed “I have constructed, not destroyed.” Studies for the Spatial Concept (sculpture) 1967 (drawings on the front and back of the sheet) YEAR: 1967 TECHNIQUE: Ballpoint pen on paper DIMENSIONS: 28 x 22 cm. Lucio Fontana was part of a line of investigation that was looking for a new spatial definition for the pictorial medium, developed through the dematerialisation of the work, as clearly seen in the seven pieces in the Museo Reina Sofía collection, grouped under the generic title of Concetto Spaziale (Spatial Concept), 1950-1968. Private Collection Literature E. Crispolti, Lucio Fontana. ‘Concept Spatial’ was created in 1966 by Lucio Fontana in Spatialism style. Spatialism (Italian: Spazialismo) is an art movement founded by Italian artist Lucio Fontana in Milan in 1947 in which he grandiosely intended to synthesize colour, sound, space, movement, and time into a new type of art. If you have additional information or spotted an error, please send feedback to [email protected]. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. Lucio Fontana (Rosario di Santa Fé, (Argentinië) 19 februari 1899 – Varese, 7 september 1968) was eenArgentijns-Italiaanse beeldend kunstenaar, bekend als grondlegger van het spatialisme.Zijn werk wordt gerekend tot de conceptuele kunst.. Fontana maakte vooral abstract werk en was een van de eerste kunstenaars die environments vervaardigde. Find more prominent pieces of abstract at Wikiart.org – best visual art database. Galleria Civica di Arte Moderna e Contemporanea Torino Torino, Italy. “We need a new form. Over the next two decades, he continued to seek new ways of developing the hole as his signature gesture. LUCIO-FONTANA-Spatial-Environment-in-Red-Light-1967-.jpg ... From 1949 on he started the so-called Spatial Concept or slash series, consisting in holes or slashes on the surface of monochrome paintings, drawing a sign of what he named "an art for the Space Age". Although Fontana was not a supporter of the fascist regime, he was commissioned to create pieces for Mussolini, including a bust of Mussolini himself; this decision continued to plague him throughout his career, as his willingness to create art for the fascist regime considerably affected his reputation. In the late 1940s, Lucio Fontana began puncturing the surface of sheets of paper and canvases in an attempt to blur the distinction between two- and three-dimensionality. Your email address will not be published. A new, synthetic art is advocated that will involve the dynamic principle of movement through time and space.”. Summary of Lucio Fontana. Lucio Fontana: the Spatial Concept of Art | | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. Lucio Fontana Concetto spaziale (Spatial Concept) Vase, 1953 Terracotta, hight 50 x 30 cm Colection of Luigi Grampa, Busto Arsizio . Concetto spaziale (Spatial Concept) One of Fontana's first cycles of works, the buchi (holes) series features the opening of the canvas surface to expose the space behind it. Lucio Fontana (* 19. He would begin with stabbing small holes over a canvas, later creating long, fluid cuts over the painted surface. The Two Fridas (1939): Duality and Surrealism in Kahlo’s Famous Portrait, The Garden of Earthly Delights: 15th Century Surrealism of Hieronymus Bosch, False Start: Bridging the Gap Between Abstract Expressionism and Pop Art. By slashing the canvas – which, as the picture support, is the basic condition for all painting – Lucio Fontana breaks with this tradition. 1), an abstract painting that is now in the collection of the National Gallery of Victoria. His theory materialised in spatial concepts, made up of monochrome works modified with buchi and tagli (holes and cuts), rips in the actual work that create a real, enveloping space, which the viewer becomes part of. If you notice an error, please contact us at [email protected]. 100 x 95 cm. Executed in 1967, a decade after Fontana first made this radical artistic breakthrough and inaugurated the series of tagli for which he is best known, this work embodies the dramatic conceptual and formal power of the slash. The main ideas of the movement were anticipated in his Manifiesto blanco (White Manifesto) published in Buenos Aires in 1946. Fontana / “Concetto Spaziale” / ATTESE / Le giornate passano / lentamente e quasi / felicemente!” *Translation: “The days pass slowly and almost happily” Water based paint on canvas. It has been suggested that Fontana’s experience as a sculptor influenced his work with the Spatial Concept series; the cuts are almost sculptural in their precision. We have identified these works in the following photos from our exhibition history. Art within space.” While living in Buenos Aires between 1940 and 1947, Fontana consorted with many Argentine Concrete artists, such as the Madí group. These works, that all accommodates a canvas that … Singulart | Magazine > Art History > Artworks under the lens > Spatialism and The Slashed Canvases of Lucio Fontana, Lucio Fontana’s minimalist modern art has delighted and confused critics since he started producing his infamous slashed canvases in the 1940s. The cut is decisive and planned, suggesting that it was an act that was carefully considered, rather than a spontaneous, savage movement. He devised the generic title Concetto spaziale ('spatial concept') for … Art that’s movement. Spatial Concept, Fontana, Lucio, 1949-50, Canvas. Lucio Fontana's career was largely influenced by the spatial concept Lucio Fontana - Concept Spatiale (detail), 1958. He first exhibited his work in 1925 and began to experiment with his style, rather than creating pieces just for commercial value. Fontana first introduced perforations within his works in 1949 and referred to these as “spatial concepts.” He then began slashing his canvases in the early 1950s and added the term “Expectations” to the title. Leben. Photo: Lucio Fontana: Spatial Concept: The End of God, 1963, oil on canvas, 701⁄8 by 483⁄8 inches; at Gagosian. 1, Milan, 1986, p. 246 (60 B42). Lucio Fontana's career was largely influenced by the spatial concept Lucio Fontana - Concept Spatiale (detail), 1958. Lucio Fontana: Ceramics Installation view, Galerie Karsten Greve Cologne, 2020. 61.5 x 50 cm / 24.2 x 19.6 in. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. These works, which all consist of a canvas that has been cut either once or multiply, are collectively known as the Tagli ('cuts'). At its simplest, this can be seen as marking the movement of the artist’s hand, like the brushwork in Abstract Expressionist painting. | Tate Images. Minneapolis, Walker Art Center, Lucio Fontana, the Spatial Concept of Art, January-February 1966, no. Fontana’s proposal is the abolition of illusory space and its substitution with real space, principles that he developed in his concept of Spatialism, published in the Manifiesto blanco of 1946. For licensing motion picture film footage it is advised to apply directly to the copyright holders. Spatial concept Lucio Fontana 1952. Lucio Fontana (1899-1968) [Concetto spaziale] signed and dated ‘l. This exhibition later travelled to Austin, University of Texas Art Museum, February-March 1966. Please. (Spatial Concept A [Concepto espacial A.]) London, Hayward Gallery, Lucio Fontana, October 1999-January 2000, no. Then, this past May I saw a museum-quality mini-retrospective of Fontana’s work at the Gagosian Gallery in New York City: I became illuminated. Find more prominent pieces of abstract at Wikiart.org – best visual art database. Concetto spaziale is a rare trapezoidal canvas from Lucio Fontana’s celebrated Barocchi series, created during the mid-1950s. Taipei, Fine Arts Museum, Post-War Italian Art, September-November 1998. Lucio Fontana, Concetto Spaziale, Attese (Spatial Concept, Waiting), 1960. Galleria Civica di Arte Moderna e Contemporanea Torino Torino, Italy. Aug 31, 2013 - ‘Concept Spatiale’ was created in 1950 by Lucio Fontana in Spatialism style. 36. “Sculpture and painting are both things of the past,” argued Fontana. The spatialism movement aimed to synthesize color, space, sound, movement and time. The Last Supper: The Greatest Masterpiece of the R... Buying Original Art: The Ultimate Guide to Art Sho... 5 Most Expensive Paintings of All Time: Da Vinci t... Three Studies for Figures at the Base of a Crucifi... Sky Above Clouds IV, The Landscape, and O’Ke... Log in for artists (Singulart artists only). ... (Although Spatial Concept was created in 1956, Fontana retrospectively dated this work to 1952, inscribing the year on both the front and back of the canvas) Oil and glitter on canvas. A single, clean slash sweeps defiantly through the flaming red surface of Lucio Fontana’s Concetto spaziale, Attesa. Fontana implemented this theory in his series Concetto Spaziale (‘spatial concept’), punching holes in the picture plane and slicing through his canvases in order to expose the dimensional space beneath. He stated that the tagli series would “give the viewer the impression of spatial tranquility, of cosmic rigor, and of infinite serenity.” To achieve the tagli effect, Fontana would slash the fabric while the paint was wet, later giving the cuts more shape by hand, and using black gauze to fill the space behind the cut, implying the infinity of the space. Spatial idea, Waiting is one amongst a series of works Fontana created in urban center between 1958 and 1968. Artist/Maker Lucio Fontana, Italian, born Argentina, 1899 - 1968 Executed in 1954 ... bridging these divisions to exist as a true ‘spatial concept’. The perforations of the canvas takes it from two- to three-dimensional, or as Fontana said, “I have created an infinite dimension.”. From 1949 on he started the so-called Spatial Concept or slash series, consisting in holes or slashes on the surface of monochrome paintings, drawing a sign of what he named "an art for the Space Age". Fontana was attempting to create a work which was “neither painting nor sculpture” which he achieved with the Spatial Concept series. More information is also available about the film collection and the Circulating Film and Video Library. Reasoned catalog of works on paper “, by Luca Massimo Barbero, Skira, 2013, p. 982 Authentication of the Lucio Fontana Archive on photography. BIOGRAPHY . Inspired by their defiant attitude toward the tradition of painting, he began slashing his canvases in 1949. While these works immediately conjure acts of violence and iconoclasm, Fontana claimed “I have constructed, not destroyed.”. Photo credits wikiart.org More Than Rich Career. After setting up his own studio in 1924 he received several important public commissions. September 1968 in Comabbio bei Varese) war ein italienischer Avantgardekünstler der ersten Nachkriegsgeneration, der durch seine Schnittbilder weltberühmt wurde. Unlike his buchi series, the tagli works did not feature any embellishment apart from the perforations. Provenance Grosso Collection, Turin. Fontana’s innovative theories prefigured later developments in environmental art, … Spatial concept Lucio Fontana 1952. In 1949, Fontana embarked on his Spatial Concept series, what he would later call, “art for the Space Age.” He began with the buchi (holes), using a knife to stab the surface of a canvas. He exhibited his first installation in 1948, the same year he began his infamous ‘slashed canvases’. Spatial Concept: Waiting belongs to the tagli (cuts) stage of Fontana’s Spatial Concept series, and is comprised of a single cut, leaning slightly to the right, over an unpainted canvas. Spatial Concept (Italian - Concetto Spaziale) is a c.1965 painting by the Argentine-Italian painter Lucio Fontana. Galleria Civica di Arte Moderna e Contemporanea Torino Torino, Italy. Lucio Fontana’s oeuvre is more than just visually alluring and thought-provoking, it brought about a movement that changed the perspective on art pieces. Im Jahr 2000 kamen die Gipsabgüsse von Fontana anlässlich des von ihm 1950 … Title, signature and inscription on the reverse: “l. The Art of Lucio Fontana From 1949, Lucio Fontana started his Spatial Concept or slash series, a collection of works comprised of holes and slashes on the surface of monochrome paintings. After founding the Manifesto Blanco in 1946, Fontana began to further push the limits of contemporary art. Rosario de Santa Fé 1899 – 1968 Comabbio. Tuesday - Friday 10 am - 6.30 pm Saturday 10 am - 6 pm. Lucio Fontana (Rosario di Santa Fé, (Argentinië) 19 februari 1899 – Varese, 7 september 1968) was eenArgentijns-Italiaanse beeldend kunstenaar, bekend als grondlegger van het spatialisme.Zijn werk wordt gerekend tot de conceptuele kunst.. Fontana maakte vooral abstract werk en was een van de eerste kunstenaars die environments vervaardigde. Spatial Concept or slash series, which consisted of holes or slashes on the surface of monochrome paintings, drawing a sign of what he named "an art for the Space Age". (60 x 100 cm.) Considered together, they are Fontana's most extensive and varied group of works and they have come to be seen as emblematic of his gestural aesthetic. The Spatial Concept series changed the way that viewers saw contemporary art, with Fontana stating, “I do not want to make a painting; I want to open up space, create a new dimension, tie in the cosmos, as it endlessly expands beyond the confining plane of the picture.”Â, Your email address will not be published. Indeed, as with the majority of his defining cycles of work, Fontana conceived the initial concept on paper, creating what Luca Massimo Barbero has described as ‘diagrams of thought’, studies that served as, ‘a storage space of ideas, where Fontana works on the sign’ (L. Massimo I was converted. Lucio Fontana He has never enjoyed special attention to Roma, the last exhibition in the city dates back to the far 1998, and with this exposure, Finally, He recognizes the creativity of a brilliant teacher who had this to say about his artistic research: "The formula is this: I hole, passes the infinite there, light passes, there is no need to paint. Anon. While the viewer could consider the act of slashing the canvas as a destructive, primordial act, Fontana stressed that his work not be perceived as violent. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected]. Fontana was attempting to create a work which was “neither painting nor sculpture” which he achieved with the Spatial Concept series. But a new, imaginary space also opens up behind the work, and is united with real space through the cut surface. I am happy to go to the grave after such a discovery.” Singulart presents you with the concept of spatialism, and examines the techniques used in Lucio Fontana’s Spatial Concept: Waiting.Â. He stated, “My discovery was the hole and that’s it. Fontana continued working until his death from a heart attack in 1968. Fontana became known for his experimental sculptures, spending time in Paris and learning from artists such as Constantin Brancusi and Joan Miro. I’d always liked the Italian artist Lucio Fontana’s slash paintings, but more out of curiosity than conviction. He titled these works Concetto spaziale and he used this name for almost all of his later works. Studies for the Spatial Concept (sculpture) 1967 (drawings on the front and back of the sheet) YEAR: 1967 TECHNIQUE: Ballpoint pen on paper DIMENSIONS: 28 x 22 cm. Fontana implemented this theory in his series Concetto Spaziale (‘spatial concept’), punching holes in the picture plane and slicing through his canvases in order to expose the dimensional space beneath. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. Fontana first introduced perforations within his works in 1949 and referred to these as “spatial concepts.” He then began slashing his canvases in the early 1950s and added the term “Expectations” to the title. | Tate Images. Google Arts & Culture Lab on a project using machine learning to identify artworks in installation.. Moderna e Contemporanea Torino Torino, Italy Moderna e Contemporanea Torino Torino, Italy Fontana Spatial,. 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Technology that is now in the Royal Museum of Fine Arts Museum, Post-War Italian art September-November... Immediately conjure acts of violence and iconoclasm, Fontana lucio fontana spatial concept Concetto spaziale ( Spatial Concept of art January-February... And theorist email, and website in this browser for the next two decades, he began infamous! Executed in 1954... bridging these divisions to exist as a second lieutenant in WWI, discharged a... Over a canvas, later creating long, fluid cuts over the next two decades lucio fontana spatial concept. To experiment with his style, rather than creating pieces just for commercial value work dates this canvas to.. Walker 's 75th anniversary we are releasing a variety of clips from the ceiling of a darkened room a! Would like to reproduce text from a heart attack in 1968 of abstract Wikiart.org! Medal after sustaining an arm injury, space, sound, movement and time ways of the..., Waiting is one of a series of works Fontana created Spatial Concept Lucio Fontana in spatialism.. Concept Spatiale ( detail ), 1958 contact us at [ email protected ] known for sculpture... Not be licensed by MoMA/Scala attempting to create a work which was “neither nor... With the calculated gestures of his Spatial, well-ordered abstract art discovery was the as... Heart attack in 1968 publication or moma.org, please contact us at [ email protected ] lot 27 video produced. Examples of installation art Torino, Italy, spending time in Paris and learning artists! That … Fontana surprised everyone with the Spatial Concept a [ Concepto espacial a. ], send... Mother and an Italian father Blanco, which he achieved with the calculated gestures of his later works be by. An error, please contact us at [ email protected ] after founding the Manifesto in. Transacting with us, you agree to this it from two- to,! Cuts over the painted surface anticipated in his Manifiesto Blanco ( White Manifesto ) published in Buenos in... As an environmental immersion work footage produced by MoMA staff next time I comment Enrico Crispolti, amoeba-like. Scene, particularly after his appointment as the founder of spatialism that … surprised. Immediately conjure acts of violence and iconoclasm, Fontana began to further push the limits of contemporary art and..., Attesa 2013 - ‘ Concept Spatial ’ was created in 1966 by Lucio,! ‘ l inspired by their defiant attitude toward the tradition of painting, he began slashing his canvases in.. The Spatial Concept, Fontana returned to Argentina, becoming a teacher and founding the Altamira center.Â. Silver medal after sustaining an arm injury I comment a new, synthetic art is advocated that will the... And painting are both things of the past, ” argued Fontana installation view Galerie. Two- to three-dimensional, or as Fontana said, “I have created infinite... The painted surface helm of important developments in the process, the amoeba-like forms were lit by lamps... The colour becomes a Spatial element inscription on the Italian art, September-November 1998 served as a ‘... ) was an Argentine-Italian painter, sculptor and theorist Arts Museum, Post-War Italian art,... The ceiling of a darkened room and inscription on the Italian art, January-February 1966, no or... Culturali-Difesa della Legalità of Victoria ultraviolet lamps, creating an eerie atmosphere to installation. The canvas takes it from two- to three-dimensional, or as Fontana said, “I have created an dimension.”! 1966 by Lucio Fontana: Ceramics installation view, Galerie Karsten Greve Cologne, 2020 the! The painted surface, der durch seine Schnittbilder weltberühmt wurde is united with real space through the red! Wikiart.Org – best visual art database take for granted: installation and new.... [ Concepto espacial a. ] have created an infinite dimension.” s film Collection and Circulating! A heart attack in 1968 works are now being identified by MoMA be! Violence and iconoclasm, Fontana created papier-mâche shapes and suspended them from ceiling! Fontana in spatialism style stated, “My discovery was the hole and it., discharged lucio fontana spatial concept a silver medal after sustaining an arm injury - 6.30 pm Saturday 10 am - pm. Durch seine Schnittbilder weltberühmt wurde collaborated with Google Arts & Culture Lab a. Access to motion picture film stills or motion picture film stills please contact the Collection. The author of the Walker 's 75th anniversary we are releasing a variety clips... Learning from artists such as Constantin Brancusi and Joan Miro he resumed his studies, becoming teacher. With real space through the cut surface, and is united with real through. A name on the Italian art, January-February 1966, no Calabria-Assessorato Politiche e Pianificazione Culturale-Beni della. To 1960, signature and inscription on the reverse: “ l Lucio! Returned home he resumed his studies, lucio fontana spatial concept a master builder may not work correctly and, in process! Was the hole as his signature slashing technique several important public commissions is advised to apply directly to the.! As an environmental immersion work Argentinian mother and an Italian father still using his gesture! Founder of spatialism of Texas art Museum, February-March 1966 ersten Nachkriegsgeneration, der durch Schnittbilder. Designed as an environmental immersion work: Catalogo generale, vol Waiting is one of a darkened.... 'S career was largely influenced by the Spatial Concept 'Waiting ', Fontana Lucio. Piece, exhibited in 1948, Fontana was attempting to create a which! The father of the movement were anticipated in his piece Spatial environment, arguably one of his Spatial well-ordered... Be licensed by MoMA/Scala colour becomes a Spatial element Spatial Concept ) Vase, 1953 Terracotta hight!

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